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Sociology Research

 

This PhD emerges out of my interest in gender, ecology, culture and spatial practices, which have coalesced through my experience of community gardening alongside my Alevi-Kurdish neighbours and encountering their practices and beliefs and learning about their struggles elsewhere.

Since my MA at The Royal College of Art I have sought to elicit thinking about gender and its role in shaping the cultural landscape where the place of women seems fragile. I am highly self-motivated: through independent research projects, supported by the Arts Council England, I have worked with archives and conducted semi-structured interviews to piece together otherwise invisible histories to find ways to make them visible and learn from those histories where they resonate with the present. I have done this through contributing to symposiums, writing for Huffington Post, exhibition making, organising seminars and giving lectures at intuitions including The Royal Academy of Art, Tate Britain, Tate Modern and the Institute of Contemporary Art. Much of this research has been focused on feminist collectivity and childcare, drawing out the relationship between the work women traditionally do, caring for others, and the work of caring for the earth. I have worked as an archival researcher for exhibitions at the Whitechapel Gallery looking at radical histories in the local area and the museum’s engagement with local organisations and communities.

I was commissioned to make a series of podcasts exploring social housing and civic participation with, amongst others, The Women’s Budget Group. I contributed to the conference The Role of Culture in a Divided Europe, in Brussels alongside policy makers, museum directors and MEPs to address the divide between and within EU countries. After writing about cultural democracy I was invited to speak at the Labour Party’s The World Transformed festival. In 2016 I founded a resident led community organisation on the council estate where I live. With grant support this organisation has sought to strengthen community health, reduce social isolation and encourage civic participation by facilitating residents’ autonomy over their immediate environment. The creation of a community garden inspired a community cookbook, which was launched at Tate Modern alongside a panel discussion on food, heritage, memory and place. Other projects have included a self-build community hall project, and accompanying publication launched with a discussion at the V&A Museum. These projects have won awards, and been used as case studies on anti-racist approaches to urban regeneration.
After a period away from study these experiences and my research interests prompted me to undertake an MSc so that I could learn new ways of thinking.

Research Interests

Feminist Collectives of the 1970-1980s

Art and activism, cultural democracy

Anti-racist activism, housing activism 1970s

Gay liberation movement 1960s and 1970s

Abolition ecologies

Kurdish Women's Movement

Alevi-Kurdish ecologies

Publications

Books

Feminist Practices in Dialogue (edited by Rose Gibbs and Catherine Long)
Commissioned essays and art works made for the page. Practice in Dialogue is a small working group of feminist artists dedicated to examining the formal structures and strategies of historical feminist art alongside their own art practices. Founded by Catherine Long and Rose Gibbs, Practice in Dialogue evolved out of a need to create a space in which to think critically about feminist art practices in a climate where the backlash against it combines with neoliberalism to reduce the political agenda of feminism to a set of fragmented rights and personal choices that neatly dovetail with capitalism. This book brought together the works of the artists involved and included introductory essays by Rose Gibbs and Catherine Long. The book was launched at the Institute of Contemporary Art, London in 2015

Cooking in a Hackney Estate (edited by Rose Gibbs)
A community cookbook with recipes collected from the residents of Mountford Estate in Hackney. The cookbook reflects the diverse culinary cultures of the neighbourhood, bringing together food traditions from many parts of the world. The recipes were collected while sitting around kitchen tables. Sometimes the recipes were translated in the process or translated from notes given by grandmothers as well as coming as written descriptions via email or through the door. The recipes are for the most part recorded here in the residents’ own words. The inspiration for the cookbook Cooking in a Hackney Estate came from the creation of a community garden on the estate which enabled residents to grow fruit, herbs and vegetables particular to their own food tradition that might otherwise be hard to procure. The garden also provides residents with a means by which to reconnect with their heritage and their past, whether that is here in the UK or elsewhere in the world and share those culinary and horticultural traditions with each other. The cookbook was designed using the footprint of the estate, by a local designer, John Philip Sage. The second edition was printed by Footprint Workers Coop. It was launched at Tate Modern along side a discussion on horticulture and culinary cultures, space and place.

Community Building A Community Building (edited by Rose Gibbs and Sarah Hersi)
This book takes the form of both a document and a template: it documents the first phase of the Mountford Estate Community Hall self-build project, tracing its inception from conversations between neighbours in the community garden and in our streets, to the architectural design schools that brought local underrepresented young people and residents together in the hall to create new designs for it. The project is a test case, a template, for how space-making might engage in different epistemologies and counter the development paradigms that overlook marginalised experiences. Yet as a template, grounded as it is in the ethic of care, where the specificity of relations between people, place and space are understood as vital to the crafting of liveable urban environments, it can only offer the suggestion of an approach. The book brings this project together in dialogue with the wider ecology of researchers and practitioners working in this area. It catalogues the collaborative design process and Sahra Hersi’s synthesis of that process into a final design for the hall. Project initiator and colead Rose Gibbs provides an overview of the project, its ethic, site and inception. Sahra Hersi describes, through conversation with Neba Sere, the collaborative approach of the design process, while texts from Melissa Haniff, Arman Nouri and Kwame Lowe situate the project within the broader ecosystem of architects, thinkers and practitioners. Students and tutors reflect on our summer and autumn architecture schools for local young people, with photographs by Sana Badri and Kariima Ali. It was launched at the V&A in London, 2024.

 

Media Articles

Rose wrote, for a short time, for Huffington Post and has published work online for contemporary art museums, as well as feminist magazines and the online journal MAMSIE. 

Grants and Projects

Harding Scholarship

Job Title:
Abolition Ecologies in Alevi-Kurdish diasporic practices: Growing resistance and cultivating belonging in London’s urban gardens, Supervisor: Prof Thomas Jeffery Miley